When Culture Club burst onto the scene in the early 80s, new wave music was the new big thing. Synthesizers, flashy attire, neon lights, and new sounds were all the rage in music and Boy George knew how to play the game well. Always known as a flashy dresser, Boy George and Culture Club became icons in the new wave genre. Now, 40 years later, the music style is making a new splash and of course one of the originals is right there again, as they bring The Letting It Go Show to Darien Lake on July 29. Riding the waves on the tour are Howard Jones and Berlin.
With rain showers going on for the early part of the day, and more in the forecast, Darien Lake Amphitheater is slow to fill as Howard Jones takes the stage for a 40-minute set. A flashy dresser in his own right, Jones comes out in classic 80s attire consisting of a black suit with a t-shirt underneath, Don Johnson would be proud. Jones belts out hits such as “No One is to Blame,” “Everlasting Love,” and “Like to Get To Know You Well” as diehard fans from yesteryear sing along with him.
Following up Jones was Berlin, who had some success with a song from some movie with Maverick and Goose. Additionally, Terri Nunn and her bandmates have put out nine studio albums since 1979, when Nunn joined the band for the first time as lead singer. While they never tore up the charts, Berlin did have their biggest, and ultimately last, big hit in 1986’s Top Gun, “Take My Breath Away.”
Like Howard Jones and Culture Club, Berlin’s sound was in the new wave genre and influenced by sounds coming over from Germany and much of Western Europe at the time. Tweak some keyboard notes, add a little more synth-pop to it, and presto, you have your own style.
Finishing up the night was the iconic and poignant Boy George with Culture Club. With iconic sound, looks, and creativity, Boy George is welcomed to the stage standing atop a small staircase flanked by two drum kits, casually outfitted with stereotypical baggy and bright clothing.
Joining him on stage were the two drummers, two dancers/backup vocalists, a saxophonist, two bassists, and a keyboardist. Just like the glory days, Boy George puts on an eclectic show, with everyone on stage taking part in the production. The two dancers provide backing vocals throughout the set, as well as both strut their stuff at the front of the stage later in the set. Equally amazing job by both, and the crowd made them aware.
Going through the set, it was noticeably more mellow than the classic sounds of Culture Club, which provided a little more upbeat mix. During “Do You Really Want to Hurt Me?” the song almost seemed dragged out as Boy George took his time and made it more of a story. It was very reminiscent of “The Crying Game” from the early 90s which was a solid rendition.
Regardless of the sounds you hear today or what it may have sounded like 40 years ago, this tour with Boy George & Culture Club, Howard Jones, and Berlin is the perfect blend of original new wave artists as a new generation is getting cultured in ‘old people music.’
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