Kevin Morby sounds serious. Sometimes the former Woods bassist shades to the sepulchral but, often, he just conveys poetic heft. Morby’s delivery and his warm baritone is sometimes reminiscent of Skip Spence and often of Leonard Cohen. He sounds like a hip oracle. On his latest, Morby stays in a dark mode, but he changes hats a few times, conjuring John Wesley Harding-era Dylan, evoking Lou…
